The Kailash Temple: Epitome of Indian Rock-cut Architecture

-
An awesome feat of engineering, the Kailash Temple or the Kailashnath Temple, dedicated to Hindu God Shiva, is the most impressive remainder of the Rashtrakuta dynasty of Deccan that held sway for more than two centuries. Under the Rashtrakutas the rock-cut architecture in India reached its zenith.

Carved out of the single rock (monolithic) hewn out of Charanandri hills at Ellora under the instructions Rashtrakuta king Krishna I (756-775), the Kailashnath Temple has been described in glowing terms by Percy Brown, the noted writer on Indian architecture. He says, "The temple of Kailash at Ellora is not only the most stupendous single work of art executed in India, but as an example of rock architecture it is unrivalled…. The Kailash is an illustration of one of those occasions when men's minds, hearts and heads work in unison towards the consummation of a supreme ideal. It was under such conditions of religious and cultural stability that this grand monolith representation of Shiva's paradise was produced."

The shrine of Kailash Temple is complete with shrineroom, hall, gateway, votive pillars, lesser shrines and cloisters. The carvings of Kailashnath Temple are among the finest sculptures in India. Mainly in the form of deep reliefs, these sculptures give the effect of freestanding sculpture and illustrate scenes of mythology. The grand sculpture of Ravana trying to lift Mount Kailash, the abode of Lord Shiva, has been vividly portrayed.

Comments

  1. Shridhar MhatreMay 19, 2013 at 8:25 AM

    Kailasa is not merely colossal: it displays perfect unity in its conception.. Kailash Temple in Ellora

    ReplyDelete

Post a Comment

Popular posts from this blog

Fatuhat-i-Alamgiri by Ishwar Das Nagar

-
Ishwar Das Nagar was the most remarkable Hindu historiographer during the reign of the sixth and last most notable Mughal monarch Aurangzeb.  He was the author of the Fatuhat-i-Alamgiri, t he only literary work that was composed under the patronage of Aurangzeb who was otherwise opposed to the encouragement of arts and letters.  The Fatawa-i-Alamgiri has been described as "the greatest digest of Muslim law made in India".
Read more

Sanskrit Books and Authors in Ancient India

-
  Books Authors Abhigyan Shakuntalam (Recognition of Shakuntala) Kalidasa Aihole Prasasti Ravikirti Amarakosha   Amarasimha   Arthashastra Kautilya Ashtadhyayi   Panini Bhattikavya Bhatti Brihat Samhita   Varahamihira Buddhacharita   Asvaghosa   Charaka Samhita ( Compendium of Charaka ) Charaka Devichandraguptam   Vishakhadatta Gita Govinda  ( Song of the Cowherd) Jayadeva Gatha Saptashati Hala Lilavati   Bhaskara II   Hammira Mahakavya   Nayachandra Suri Janakiharana   ( Janaki's abduction) Kumaradasa   Kama Sutra Vatsyayana Kathasaritsagara (Ocean of the Streams of Stories )
Read more

Turkan-i-Chahalgani, the Group of Forty

-
Amir-i-Chahalgani, known variously as Turkan-i-Chahalgani and Chalisa (The Forty), was a group of 40 faithful slaves which came into existence with the task of protecting Shamsuddin Iltutmish, the third Slave Sultan of Delhi Sultanate. The idea to form the group was taken by him when he came to realize that Turkish nobles cannot be trusted and could be a threat to his rule. With the passage of time the group went on to become very influential and powerful. Though Iltutmish succeeded in keeping the group under control, after his rule they became notorious and intrigued against nearly all his successors.  The Forty acquired domination on the affairs of the state so much so that no ruler could defy them. Without their support it was utterly out of questions for the rulers to win the battle for succession. The members of this Turkish nobility used to appropriate all the offices of the state to themselves. Some of the rulers of the Slave dynasty after Iltutmish were murdered by these slaves
Read more