Rudrama Devi: Breaking the Male bastion

Rudrama Devi ranks herself among few female rulers in Indian history.  This ruler belonging to the Kakatiya dynasty of South India gave good account of herself as a wise ruler and even gave her male counterparts a run for their money. 

Known for her benevolence, Rudrama took the male name of Rudradevamaharaja. She ruled the Kakatiya kingdom for nearly 30 years from c. 1259 to 1288, and has been praised in glowing terms by the contemporary Venetian traveller Marco Polo.   

Anushka as Rudrama

A film based on her life is being made by renowned director Gunasekhar. Top south Indian actress Anushka will star as Rudrama Devi in the film. This much awaited film will go on floors in February 2013. Ilayaraaja is composing the music for the film.

Hampi: A Forgotten Empire

"Never perhaps in the history of world has such havoc been wrought and wrought so suddenly, on so splendid a city; teeming with a wealthy and industrious population in the full plenitude of prosperity one day and on the next day seized, pillaged and reduced to ruins amid scenes of savage massacre and horrors beggaring description."

Credit Wikipedia

The city mentioned in the above quote is Hampi, located in the Vijayanagara district of Karnataka. (Vijayanagara district was carved out of Bellary district in 2020). The city was the focal point of the golden age of the Vijayanagara Empire.

Though Hampi was mercilessly sacked by the marauding armies of the Muslim Sultanates of Deccan after their coalition defeated the de facto ruler of Vijayanagara, Ram Raja, in the famous battle of Talikota in 1556, the ruins of the city remain as a testimony to its past prosperity and the exceptional talent of the sculptors and artists.

The splendor and affluence of Hampi, capital of the powerful Hindu Kingdom of Vijayanagara ("City of Victory") on the Tungabhadra River, has been described in the accounts of European travellers who visited India during the period. Prominent among them are the Italian Nicolo dei Conti (15th century AD) and the Portuguese travelers Paes and Nuniz who visited India in the 16th century. 

Read more.

Desalpur: A Harappan Site in Gujarat

Total number of Harappan sites in the western state of Gujarat is more than 190. Prominent among them are Lothal, Prabhas Patan, Rojdi, Desalpur and Surkotda.

Situated near Gunthali in Nakhatrana Taulka of Kutch district, the small Harappan site of Desalpur is famous for disproportionately large fortification. Excavation at the site was conducted by Archeological Survey of India during 1963-63.

During the Indus Valley Civilization, the township of Desalpur was fortified. The fortification wall was constructed of stones with mud filling inside. Many houses were constructed just against the inner face of the fortification wall. In the centre was found a structural complex having massive walls and the rooms with offsets. It seems that the building must have been some important structure during the times.  

    

There is an urgent need to take steps as this Harappan site, located on the banks of Bbhadar river, is facing erosion.

Surya Sen: Revolutionary and Martyr

Recently, a film named Chittagong, based on the revolutionary activities of Surya Sen, was released in theatres. Manoj Bajpai starred as Surya Sen in the film, directed by ex-NASA scientist Bedabrata Pain.

 

I take this opportunity to write about Surya Sen, a revolutionary leader from Bengal.

Born in 1894, Surya Sen founded the Chittagong Republic Army with a view to freeing Chittagong (now in Bangladesh) from the British rule. A teacher by profession, Surya Sen led an armed uprising and organized simultaneous attacks on the British strongholds.

On April 18, 1930, the Chittagong (or Indian) Republican Army, founded by  Surya Sen, raided two government armories. The telegraph, telephone and railway station were disrupted. As a result, Chittagong was completely cut of from the rest of India. After these daring raids and attacks, Surya Sen declared the formation of a free National Revolutionary Government.

But his venture did not last long. As a result successive defeats, he went for guerilla warfare and in the meantime extended his fight to the adjoining districts of Chittagong. After nearly three years of valiant struggle, he was captured in February 1933 due to the betrayal by one his followers. He was sentenced to death in 1934.

Bahadur Shah Zafar, The Tragic Mughal Monarch

                       Capture of Bahadur Shah Zafar and his sons/Wikimedia Commons

Today is the 150 death anniversary of Bahadur Shah II, more famously known as Bahadur Shah Zafar.  He was the last Mughal Emperor who was deported to Rangoon by the English on the charges of participating in the Great Revolt of 1857, often called the First War of Independence.

Bahadur Shah Zarfar, who ascended the Mughal throne in 1837, was the leader of the Revolt of 1857 in Delhi and was declared Shahenshah-i-Hind (the king emperor of Hindustan) by the sepoys of Meerut. He was then over eighty years of age.

He was a poet of considerable merit and a patron of poets and literary men including the famed Mirza Ghalib. Writing under the pen name ‘Zafar', he composed in both Hindi and Urdu. When in exile he was denied a pen and paper, he used a burnt stick to write his epitaph on the walls of the garage in which he breathed his last.

During the revolt, Bahadur Shah Zarfar became a leading light in maintaining religious harmony among his people belonging to different faiths. He ordered the banning of cow slaughter in Delhi. He encouraged his forces to fight the British till the end.

The Mughal emperor was arrested at the tomb of Humayun by Hudson who also killed his sons and grandson. Their decapitated heads were brought by Hudson before Bahadur Shah Zarfar. Malleson writes about the killing, “A more brutal or a more unnecessary outrage was never committed. It was a blunder as well as a crime.”

Bahadur Shah was tried on charge of treachery and was sent in exile in 1858 to Rangoon (Now Yangon) in Burma (present-day Burma) where he died in 1862 at the age eighty seven.  

His greatest remorse before death was “Kitnâ hai badnaseeb Zafar dafn ke liye; do gaz zameen bhi na mili ku-e-yar mein” (How unfortunate is Zafar that he could not secure even two yards of land for his burial in his beloved land”. His wish was to be buried at Zafar Mahal, a Mughal monument that is located in present-day Mehrauli containing the tombs of his predecessors. But it was not to be.

Vijayalaya Choleeshwaram: Exquisite Specimen of Early Chola Architecture

Vijayalaya Choleeshwaram- Credit The Hindu

Narthamalai, 25km from the city of Tiruchi, is home to one of the early Chola temples in South India. Once you are here you can soak in the natural beauty which enhances your ethereal experience.

Built by Vijayalaya, who is credited to have restored the lost glory of ancient Cholas sometime before in 850 AD, this beautiful rock-cut Chola temple, named Vijayalaya Choleeshwaram by an inscription, is a must-see monument for the lovers of history.  

Dedicated to Lord Shiva and facing west, the main shrine is surrounded by smaller ones along with a nandi bull.

A feudatory of the Pallava rulers, Vijayalaya captured Thanjavur, later the Chola capital, from the Mutharaiyar chieftains who held sway in these parts of Tamil Nadu until the rise of the Chola power in the mid 9^th century AD.

Prostitution in Ancient India

There are evidences of a culture of prostitution in ancient India.

In ancient India there was certainly a class of women to whom rules and restriction that need to be adhered to by the high-caste ladies did not apply. According to Vatsyayana’s Kama Sutra, a class of courtesans (vesya, ganika) was held in high social esteem because of their graces of form and cultural accomplishments.

Prostitutes were famous for their beauty and other cultural accomplishments, as well as their wealth and luxury. In fact, the honour bestowed on them is comparable to the Aspasias and Phrynes of classical Greece.  She was honoured by the king and praised by the learned. Ambapali, the famous hetaera in ancient India, was treated by the Buddha with consideration .

A typical prostitute was educated. The authors of erotics in ancient India suggest that she must study  “the sixty- four arts”. Among the arts in which the prostitute should be thoroughly trained included dancing, music, singing, acting, the composition of poetry, flower –arrangement and garland making and many more. However, studying all the sixty arts was not possible.